Sunday, November 18, 2018

Theatre review: Beautiful: The Carole King Musical is all about the music

Given Carole King's prolific discography, it was inevitable there would be a musical based on her...

Theatre review: Empire of the Son is a sensory feast

Using video playback, audio recordings, clown, and dance, Tetsuro Shigematsu weaves his father’s legacy through...

Presentation House Theatre appoints new managing director

In a media release, North Vancouver's Presentation House Theatre announced Andrea Loewen as its new managing director. “Andrea...

Sex, shame, transformation (and synchronized swimming)

Studio 58, the professional theatre school at Vancouver's Langara College, continues its season with Amy...

Our picks this week: The How and The Why, Beautiful & Public and Private

The How and The Why (Nov 13-17) Science gets personal in Sarah Treem’s The How and the...

Theatre review: SmallWaR is quietly poignant

Valentijn Dhaenens’s SmallWaR has come full circle. Originally produced at the Edinburgh Fringe in 2014...

Much Ado about love (and community)

After creating and appearing in some of the most inventive productions at Bard on the...

Kaylee Harwood (Part II): from Broadway to Beautiful and home again

In the first half of our interview with Kaylee Harwood last week, we followed her...

Science gets personal in Sarah Treem’s The How and the Why

Theories about why women menstruate may sound like an unusual foundation on which to build...

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