Cliff Cardinal blends the mythical with the realities of First Nations life in Huff. Photo by Akipari.
Cliff Cardinal blends the mythical with the realities of First Nations life in Huff. Photo by Akipari.

“No matter how many times you try to save me, you’ll still find me here.”

It can be tough to watch Cliff Cardinal’s Huff. At times so devastatingly tragic that it will literally take your breath away, it is a stark reminder that as a society we still have much to do.

A distillation of the First Nations plight in the 21st century, Huff covers a lot of ground in its short 70 minutes: teen pregnancy, domestic abuse, sexual abuse, substance and alcoholic abuse, fetal alchol syndrome, and suicide.

If it sounds a little dark, it is. Even as Cardinal uses a liberal dose of humour with the help of the mythical Trickster to help us traverse this terrifyingly sad tale, the overwhelming sentiment is a lack of hope. There is no Hollywood feel good ending here, and while its hopelessness and subject matter may disturb, it is still an unfortunate reality that includes a suicide rate among Aboriginal youth that is five to six times higher than non-Aboriginal youth.

Seamlessly blending the mythological, life on a First Nations reserve, and the surreal hallucinations from all manner of highs, Cardinal is the consummate storyteller.  Told largely through the voice of the middle brother of three, he moves easily between the many characters in his story, inhabiting each with a natural ease that is at times as scary as Huff’s subject matter.

Breaking down the fourth wall on a number of occasions, he also challenges the audience directly, insisting that we not only bear witness, but also become a part of this world. In one particularly powerful scene, he pleads with an audience member to give him back the plastic bag that she ripped from his head at the top of the show.

White man’s guilt can be a powerful thing. Even if there is little optimism in Cardinal’s Huff, the cycle cannot be broken until we find solutions. From there comes hope. It is one thing to bear witness, it is quite another to take action. Huff insists on both. We should listen.

Huff written and performed by Cliff Cardinal. Directed by Karin Randoja. A Native Earth Performing Arts production presented by the PuSh International Performing Arts Centre and the Firehall Arts Centre. On stage at the Firehall Arts Centre (280 East Cordova St, Vancouver) until February 6. Visit http://pushfestival.ca for tickets and information.

Vancouver Presents

Comments